Like its inspiration, Romeo and Juliet, this love story contains much drama and unfulfilled potential.
A teenage singer gets a backup role on Broadway and lessons in fame and love.
Sixteen-year-old Jerzie Jhames is a Black singer from New Jersey who dreams of being a Broadway star. She auditions for the role of Jewel in Roman and Jewel, a hip-hopera retelling of Shakespeare’s Romeo and Juliet, and is disappointed when she only gets the part of standby to superstar Cinny, who plays the lead. On her first day of rehearsals Jerzie meets Zeppelin, the musical’s Roman, and declares it love at first sight. When a video of Jerzie and Zeppelin singing a duet goes viral, Jerzie begins to realize that she may be in for more than she anticipated. Conflict arises when Cinny stakes her claim on Zeppelin and warns Jerzie to stay away from him. Despite her occasional resistance, Jerzie comes to find that she will need the support of her friends and family to help her navigate both Broadway and first love. Unfortunately Davis’ prose feels heavy-handed at points, and her execution of the story, restricted by attempts to create parallels with the classic tragedy; Jerzie’s love of musicals comes across as more intriguing than the insta-love storyline. Many characters read as one-dimensional, making it hard to get invested in the outcome. The cast of characters is racially and ethnically diverse.
Like its inspiration, Romeo and Juliet, this love story contains much drama and unfulfilled potential. (Fiction. 14-18)Pub Date: Jan. 5, 2021
ISBN: 978-1-335-07062-3
Page Count: 320
Publisher: Inkyard Press
Review Posted Online: Oct. 11, 2020
Kirkus Reviews Issue: Nov. 1, 2020
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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