An optimistic, wise collection that offers the pleasures of discovery.
In a country inundated with political and social ugliness, a nationally curated poetry anthology forefronts the beautiful.
For poet, critic, and editor Lomax, a poem can be many things. This anthology features entries from poets from every state and, pointedly, the United States’ inhabited territories and commonwealths. Each contributor provides a “found poem” that conveys what they find beautiful. In short, Lomax asked each writer to engage in “witnessing, not creating.” A couple of poets chose work by others, but several chose photographs, news articles, and social media screenshots. Each work includes the rationale for its submission. Many revered poets participate, including Eileen Myles, Jericho Brown, and Dorothea Lasky, but there are several lesser-known writers hailing from as far as Cameroon and South Korea. The location and text appear on the left and the image on the right; this is a welcome layout concept since more abstract images require context for readers to effectively see what the poet is seeing. The anthology’s theme, Lomax writes, is partially in response to the Trump presidency and its lingering assault on our ability to connect with the beauty around us; through beauty we can “heal the wrongdoing at hand.” Some works reflect on a memory that addresses multiple issues, like race, identity, and ingenuity; for example, Brown’s entry for the state of Georgia is short but affecting. He provides the phone number of a figure known as “Hustle Man” whose numerous professions make him “an example of the everything black folk will do to survive.” Tiphanie Yanique of the U.S. Virgin Islands chose a screenshot that celebrates the YA novel Hurricane Child (2018) by fellow Virgin Islands writer Kheryn Callender that explores queerness, climate change, and the legacy of colonization without resting on tropes. This is an untraditional offering, and entries range widely in type and scope; the collective effect is both peripatetic and profound.
An optimistic, wise collection that offers the pleasures of discovery.Pub Date: April 7, 2022
ISBN: 979-8-9850219-6-7
Page Count: 145
Publisher: Gualala Arts
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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