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FASHIONOPOLIS

THE PRICE OF FAST FASHION--AND THE FUTURE OF CLOTHES

Convincing, responsible, and motivational fashion industry reportage.

An educated update on the current state of fashion, how it got there, and a prognostication on its precarious future.

Paris-based fashion journalist Thomas (Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano, 2014, etc.) offers informed, fair-minded, passionate, and cautiously optimistic scrutiny of “fast fashion,” which entails “the production of trendy, inexpensive garments in vast amounts at lightning speed in subcontracted factories, to be touted in thousands of chain stores.” The author focuses on the negative ramifications of this rampant consumerism, which gives little regard to garment quality or manufacturing origins. Among the “casualties” of this trend are underpaid, exploited, and often underage factory workers in developing countries; labor forces in developed economies; and the environment, as microfiber-shedding synthetic fabrics and fertilizers commingle to pollute water supplies. Thomas interweaves details on sartorial workmanship, designer profiles, and fashion history into her discourse, creating a distressing yet intriguing story of the textile industry and how the global explosion of “furious fashion” hijacked a uniquely creative economic market. She reveals how this grand-scale industry seized control over impulsive buyers and greedy profiteers, setting in motion a “hamster-wheel cycle” of overmanufactured garments, indifferent consumers, and billions of pounds of waste. In her travels to Bangladesh, five years after the deadly Rana Plaza garment factory collapse, she uncovered somewhat improved working conditions, but there still remained a sweatshop subculture rife with sexual and physical abuse. But Thomas isn’t hopeless, and her engrossing report is leavened with uplifting accounts of brands using organic indigo for blue jeans and a force of designers, merchants, and manufacturers eager to revolutionize the garment industry’s aggressive tide of overproduction through “slow fashion.” In her conclusion, Thomas notes the evergreen conundrum (and “epic-sized mess”) that exists regarding high fashion’s rubric of seasonal production and the recyclers and eco-engineers aiming to recalibrate its production output and repurpose its leftovers.

Convincing, responsible, and motivational fashion industry reportage.

Pub Date: Sept. 3, 2019

ISBN: 978-0-7352-2401-8

Page Count: 320

Publisher: Penguin Press

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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GOOD ECONOMICS FOR HARD TIMES

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

“Quality of life means more than just consumption”: Two MIT economists urge that a smarter, more politically aware economics be brought to bear on social issues.

It’s no secret, write Banerjee and Duflo (co-authors: Poor Economics: A Radical Rethinking of the Way To Fight Global Poverty, 2011), that “we seem to have fallen on hard times.” Immigration, trade, inequality, and taxation problems present themselves daily, and they seem to be intractable. Economics can be put to use in figuring out these big-issue questions. Data can be adduced, for example, to answer the question of whether immigration tends to suppress wages. The answer: “There is no evidence low-skilled migration to rich countries drives wage and employment down for the natives.” In fact, it opens up opportunities for those natives by freeing them to look for better work. The problem becomes thornier when it comes to the matter of free trade; as the authors observe, “left-behind people live in left-behind places,” which explains why regional poverty descended on Appalachia when so many manufacturing jobs left for China in the age of globalism, leaving behind not just left-behind people but also people ripe for exploitation by nationalist politicians. The authors add, interestingly, that the same thing occurred in parts of Germany, Spain, and Norway that fell victim to the “China shock.” In what they call a “slightly technical aside,” they build a case for addressing trade issues not with trade wars but with consumption taxes: “It makes no sense to ask agricultural workers to lose their jobs just so steelworkers can keep theirs, which is what tariffs accomplish.” Policymakers might want to consider such counsel, especially when it is coupled with the observation that free trade benefits workers in poor countries but punishes workers in rich ones.

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

Pub Date: Nov. 12, 2019

ISBN: 978-1-61039-950-0

Page Count: 432

Publisher: PublicAffairs

Review Posted Online: Aug. 28, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THE RIGHT STUFF

Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.

But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.

But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.

Pub Date: Sept. 24, 1979

ISBN: 0312427565

Page Count: 370

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 13, 2011

Kirkus Reviews Issue: Sept. 1, 1979

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