A deep dive into the provocative art of creation and the toll it exacts from those touched by its gifts.
A juxtaposition of the storied arcs of two of fashion’s most celebrated, and ultimately doomed, geniuses.
The lives of fashion designers Lee Alexander McQueen (1969-2010) and John Galliano (b. 1960) have certainly been explored before. However, by comparing the victories and defeats of the two and adding in her own contemporary remembrances of each, T: The New York Times Style Magazine contributing editor Thomas (Deluxe: How Luxury Lost Its Luster, 2007) has crafted a compelling drama about the high-stakes world of couture culture. Strangely, both men came from virtually the same background. Galliano was the son of a plumber, and McQueen was from London’s rough-and-tumble East End; they both landed at Central Saint Martins, the much-lauded art school. Thomas tracks the arc as Galliano parlayed his bad-boy reputation into the leading role at Dior. His is a strange portrait; he is a self-styled romantic who has admitted he doesn’t like designing for women because their breasts “spoil the line.” And then there’s the force of nature that was McQueen, who was driven quite mad by the pressures of his role at Givenchy. “If Galliano was a romantic, McQueen was a pornographer,” writes the author. “The Larry Flynt of fashion. He didn’t believe in frontiers. He didn’t believe anything was off-limits. Nothing was taboo. He accepted the brutality of human nature, didn’t try to suppress it. He didn’t want to put women on a pedestal like untouchable, unreachable goddesses. He wanted to empower them. He wanted to help them use the force of their sexuality to its fullest.” Anyone who even skirts this strange atmosphere knows the story ends badly with McQueen’s suicide in 2010 and Galliano’s long banishment after a drunken, anti-Semitic rant in France. This is a dark story about excess, commerce, aristocracy and fashion as high theater that is as operatic as the dizzying shows it describes.
A deep dive into the provocative art of creation and the toll it exacts from those touched by its gifts.Pub Date: Feb. 10, 2015
ISBN: 978-1-59420-494-4
Page Count: 384
Publisher: Penguin Press
Review Posted Online: Dec. 6, 2014
Kirkus Reviews Issue: Dec. 15, 2014
BOOK REVIEW
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
