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THE HOUSEBOAT

A hypnotic blend of noir and goth.

Summoned from Minneapolis to take over a murder investigation in an Iowa river town—the year is 1960—federal agent Edward Ness must contend with his own inescapable violent past.

The murder, of a teenage boy during a campground tryst with his now-traumatized girlfriend, was committed by an extreme lowlife named Rigby Sellers, a jailbird who lives on a dilapidated houseboat with stolen mannequins dressed in women's garments. His mother, a prostitute, abandoned him when he was young to raise two children from another father. Seven years ago, agent Ness' wife and 4-year-old son were shot to death by a purse-snatcher. A habitual drinker ever since, he has been disciplined on the job for serious indiscretions, but he can be a real charmer. He effortlessly attracts an innocent young female hotel worker, raising eyebrows around town. She drops out of the story without comment, one of the unusual strokes in a novel filled with them. After introducing Ness at the start and filling in his tale of woe, Bahr pushes him aside for a long section detailing Rigby's peccadillos and sociopathic origins. When Ness finally returns to the narrative to go after the killer, the dark clouds of his existence reflected by the dank landscape and ominously flooding Mississippi, it is clear that this bleak tale is not going to end predictably. Told in colorful dialect ("Yeh always been this morose?") with collectible small-town–isms, the novel combines poetry (a dying star reflected on the water "blinked away forever") and unsettling horror (there's never been a graveyard scene quite like the one here). An impressive debut.

A hypnotic blend of noir and goth.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64009-508-3

Page Count: 256

Publisher: Counterpoint

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BATTLE MOUNTAIN

Middling for this stellar series, which makes it another must-read, preferably in one sitting.

Unbeknownst to each other, Wyoming Fish and Game Warden Joe Pickett and outlaw falconer Nate Romanowski embark on equally urgent pursuits that converge in a way neither of them suspects.

Nate, who’s been off the grid ever since his wife, Liv, was killed in a fire intended to kill him too in Three-Inch Teeth (2024), has sworn vengeance on murderous conspirator Axel Soledad. After shooting several of Soledad’s hirelings, he joins forces with his friend and fellow Special Forces vet Geronimo Jones, who’s tracked him down, to chase his quarry deep into the woods. Governor Spencer Rulon, meanwhile, has pressed Joe into service once again to find veteran hunting guide Spike Rankin and his new assistant, Mark Eisele, who just happens to be Rulon’s son-in-law. Although nobody’s heard from the men for two days, the governor doesn’t want his wife and daughter to know they’re missing, and that means not alerting the media or the local sheriff, who’s no fan of Rulon’s anyway. Readers who’ve already seen Rankin and Eisele overpowered and imprisoned by a mysterious crew they ran into while they were setting up for the elk hunting season will assume that Soledad is behind their kidnapping as well. But Box will keep everyone guessing about exactly how Soledad and the ragtag military cult he’s gathered around him plan to confront the military-industrial complex he’s persuaded them is a clear and present danger. You know you’re in for a wild ride when Joe, saying goodbye to Marybeth, his long-suffering wife, promises her, “I’ll do my job and not cross the line.”

Middling for this stellar series, which makes it another must-read, preferably in one sitting.

Pub Date: Feb. 25, 2025

ISBN: 9780593851050

Page Count: 384

Publisher: Putnam

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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