A reassuring story of friendship in the face of change.
The art of Chinese paper cutting and the art of friendship come together in this heartfelt migration story.
Bundled up and brightly dressed, best friends Dandan and Yueyue gleefully stroll hand in hand through a snowy neighborhood in China. But joy soon turns to sorrow—Dandan learns that she and her family will soon be moving to America on the day of the Lunar New Year. The girls spend their remaining time together celebrating New Year’s Eve. They munch on dumplings, spend time with their families, and make bright red paper cuttings to serve as ornaments. With a tight hug and a stack of red paper as a parting gift, Yueyue urges Dandan to carry on their paper cutting tradition with a new friend in her new homeland. In America, Dandan feels lonely and friendless. Everything is different, she can’t speak English, and some of her new classmates laugh at her Chinese qipao dress. With a smile from a White, freckle-faced girl named Christina, though, her voice and a new friendship bloom. With so much to learn about her new home and her new friend, can Dandan keep old traditions—like paper cutting—alive? Liu’s descriptive text deftly captures the ups, downs, and in-betweens of a child’s experience moving to a new country. Scurfield’s digitally collaged pencil-and-ink illustrations are mostly bright and colorful, but a brief shift to monochrome underscores the strangeness of a new place and the anxiety of learning a new language. Repeated motifs underline the fact that regardless of geographical location, some things remain the same.
A reassuring story of friendship in the face of change. (author’s note, about the author, about paper cutting, how to make a snowflake instructions) (Picture book. 4-7)Pub Date: Dec. 14, 2021
ISBN: 978-1-250-77818-5
Page Count: 40
Publisher: Godwin Books
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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