A coming-out story radiating warmth and joy.
A 9-year-old trans boy comes out to his family members, who show their love and support for him.
Sam, a boy “filled with dreams and spirit and laughter,” isn’t sure how he feels about his older sister, Maggie. She bosses him around a lot, but sometimes they have fun together riding their bikes. No one but Sam knows that he is a boy called Sam, including his sister. Everyone treats him like a girl, which makes him feel sad. When one of the kids at school upsets Sam, he confides in Maggie about who he is. With her help, he tells his family and finds happiness. Palely hued illustrations with the look of watercolor depict Sam and his family as people of color, and the characters who appear in the background at Sam’s school reflect a racially and culturally diverse world. Gabriel consistently places Sam’s feelings at the center and emphasizes that his boyhood isn’t determined by how he dresses or plays. While Gabriel acknowledges that Sam’s parents, teachers, and classmates take time to feel comfortable with Sam’s identity, the story concentrates on Sam’s emotional journey through sadness and anger to, ultimately, happiness that he can be himself rather than on the learning process of those around him. Even though Sam and his sister don’t always get along, her support for her brother is unflinching and heartening, and their relationship becomes closer because of it.
A coming-out story radiating warmth and joy. (author’s note) (Picture book. 5-7)Pub Date: Sept. 10, 2019
ISBN: 978-0-9996584-3-7
Page Count: 52
Publisher: Penny Candy
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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