Gently encourages readers to be comfortable with themselves every day and to embrace their extraordinary natures.
You don’t have to be quirky to be extraordinary!
This very active mother-child combo lives in the moment with smiles. Mom has a fair complexion and vibrant red-orange crimped hair, and the child narrator has light skin and red-brown pigtails. They make daisy crowns and art, rescue animals in need, climb rocks, take road trips, and meditate on mountaintops. Mom is comfortable singing out of tune and break-dancing at the grocery store and has a “canvas” of tattoos. Out in their diverse community, the two share Sunday barbecues and personal stories and join drum circles under the stars. But Mom also embraces quiet days that “are made for staying home in our pajamas eating chocolate cake” and the idea that “extraordinary isn’t always colorful and bold. It can also be found under blankets telling stories we remember by heart.” Mom shares smiles to make someone’s day and words of encouragement like “it’s okay not to be okay.” Brilliantly colored and detailed illustrations make this a good book for sharing with a group, but readers should take the time to scout out the expressive pets that accompany the duo on many of their adventures. This mom is like no other, but that is the point. “It’s important to be exactly who you are,” and who you are is extraordinary. (This book was reviewed digitally.)
Gently encourages readers to be comfortable with themselves every day and to embrace their extraordinary natures. (Picture book. 4-7)Pub Date: Jan. 1, 2023
ISBN: 978-1-922503-89-3
Page Count: 32
Publisher: Larrikin House/Trafalgar
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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