by Daniel Bergmann ‧ RELEASE DATE: Jan. 2, 2013
A sharp-eyed guide to dominating the playing board.
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Bergmann divulges ruthless strategies and sneaky advice for winning the classic board game.
Given that a well-known gaming guide was entitled Backgammon for Blood (2011), Bergmann doesn’t spare the exclamation points in his passionate guide for how to emerge gloriously triumphant in Monopoly. In a Gen. Patton–like voice, he declares, “Everything you know about Monopoly is probably wrong.” He says that too many competitors rely on simple luck—i.e., wherever the dice take them—in a game that can only be mastered as a battle of cold, calculating, thought-out strategy, like chess. Some of his well-argued advice is counterintuitive: Despite the game’s trade name, it’s foolish and wasteful to get bogged down in an opening buying spree to acquire all sets of color-coded properties or “Utilities.” Instead, Bergmann advises that aspiring Monopoly conquerors sabotage other players’ attempts at achieving a monopoly. Try using psychological tricks, Bergmann says, perhaps with a casual (yet distracting) conversation to conceal how big a bankroll you’ve accrued. Players could even pick up nonverbal cues, such as eye movements, to guess what rivals around the board are thinking. The object, he repeatedly hammers home, is to survive by ensuring all other players’ bankruptcies through carefully measured, high-rent squares (“Damage-per-Dollar”) and duping foes into obtaining a property monopoly but losing all their cash in the deal, the penultimate stage to bankruptcy. Bergmann cites certain areas of the board he favors (or doesn’t) and which squares are underrated, and he returns to railing against other strategy guides that discuss Monopoly in terms of probabilities and random dice throws, since his system, he says, eliminates the luck factor as much as possible. Quick-reference appendices help summarize the short book in bullet points and break down various risk and reward factors.
A sharp-eyed guide to dominating the playing board.Pub Date: Jan. 2, 2013
ISBN: 978-1481900102
Page Count: 136
Publisher: CreateSpace
Review Posted Online: Jan. 8, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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