by Daniel Bergner ‧ RELEASE DATE: Sept. 27, 2016
A disjointed structure occasionally hobbles this swiftly written life story of music, forgiveness, and resilience.
The biography of an emerging African-American opera singer who overcame a tough Southern childhood.
New York Times Magazine contributor Bergner (What Do Women Want?: Adventures in the Science of Female Desire, 2013, etc.) details the life of Ryan Speedo Green, who rose to performance prominence after a harrowing childhood in southeastern Virginia. Described as a physically imposing figure at 6 feet 5 inches and over 300 pounds, Green grew up with little adolescent ambition, raised by a largely absent part-Seminole bodybuilder father and an Air Force veteran mother who grew as abusive and violent to her children as her own romantic partners were to her. Life in their low-income housing project became troublesome for the young, increasingly uncontrollable Green, who, at age 12, pulled a knife on his brother and his mother and was sent to a juvenile detention facility. During his high school years, the family lived in similar squalor, but as Green was steered toward chorus classes to obtain easy high school credits, he ended up uncovering his truest voice. Bergner captures the essence of his subject’s desperate childhood even though Green terminated many interviews due to the still-palpable pain and misery of his past. Running alongside Green’s childhood is the story of his more recent ascent up the ranks of the Metropolitan Opera National Council Auditions competition; the author spotlights both the struggles and the triumphs associated with Green’s exhaustive vocal training. The interweaving of both eras of Green’s life doesn’t always cohere, causing a meandering narrative. Bergner works hard to establish momentum during Green’s tumultuous childhood—and finds some success—but when coupled with the details of his opera aspirations, the effect is jarring. Still, as Green’s past and present finally meet in conclusion, his prideful performance at the Met (with his father in joyful attendance) seemingly trumps a good portion of childhood trauma.
A disjointed structure occasionally hobbles this swiftly written life story of music, forgiveness, and resilience.Pub Date: Sept. 27, 2016
ISBN: 978-0-316-30067-4
Page Count: 320
Publisher: Lee Boudreaux/Little, Brown
Review Posted Online: June 10, 2016
Kirkus Reviews Issue: July 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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