by Daniel Brook ‧ RELEASE DATE: June 18, 2019
A provocative, welcome contribution to ethnic studies and the literature of civil rights.
Illuminating investigation of the historical binaries of race in America.
Before American independence, writes freelance journalist Brook, places such as Charleston and New Orleans turned on the assumption that “in the New World there was precious little racial purity” and that naturally and inevitably, people who came from far-flung ethnic groups would meet and intermingle. After independence, however, that changed: The official appointed to govern New Orleans after the Louisiana Purchase, for instance, quietly instituted procedures to limit the rights of supposedly nonwhite citizens even if, as a later activist who pressed for the rights of all citizens no matter what their ethnic composition noted, “if you were not informed you would be sure to pick out the white for colored & the colored for white.” Free, mixed-race communities in those cosmopolitan cities had long flourished, even if they were anomalous elsewhere. It outraged nativists, notes the author, that immigrants from Europe who arrived in the 19th century treated everyone they encountered as equals. Yet this equality was fleeting. South Carolina Reconstruction-era congressman Joseph Hayne Rainey observed in a speech before the House that in Charleston he could enjoy public amenities while in Washington, he was denied “the same benefits that are accorded to our white colleagues on this floor.” Things would only get worse for Rainey and others now classified as black in the postwar binary of race through the mechanism of Jim Crow laws throughout the country. The very idea of “black” and “white,” Brook ably demonstrates, is the product of segregation: “It is only because mixed-race activists failed, despite their valiant efforts, to stop a regime of race-based rights that contemporary Americans view society through the racial blinders that we do.” In his fluent narrative, the author shows how much we have lost by denying the reality that "we are mestizos, Creoles, misfits all.”
A provocative, welcome contribution to ethnic studies and the literature of civil rights.Pub Date: June 18, 2019
ISBN: 978-0-393-24744-2
Page Count: 336
Publisher: Norton
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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