A timeless nugget of polished pulp.
Clowes’ latest graphic novel weaves nine interrelated stories into a tale of curiosity, corruption, and humanity’s addiction to significance.
The book opens with a two-page spread of the roiling waters, cratered land, and fiery skies of our primordial planet, then runs through snapshots of history: single-cell organisms, ancient Egyptians, the plague, Shakespeare, Hitler, The Beverly Hillbillies. It’s an ambitious opening that the book lives up to through its intersecting narratives of Vietnam soldiers, counterculture, horror, ambition, control, and mommy issues—all spinning around the orbit of a woman named Monica and her quest for her origins. Initially we meet Monica’s mother, Penny, as an art student in the 1960s, seduced away from her sedate life plans by the ideas of her new bohemian lover and his friends. As Penny delves deeper into free love and artistic pursuits, she soon finds herself a mother to young Monica and the subject of Monica’s observations as Penny cycles through men, eventually abandoning Monica to follow her own path—perhaps into the clutches of a desert-dwelling cult. After a macabre interlude about a young man’s return to his boyhood home only to find the town under a sinister influence, we catch up with Monica as an adult, dealing with her own loss and encounter with the uncanny. In pursuit of her long-gone mother, Monica peels back opulent and fantastical layers of her own life until she finds the haunting core. Clowes strikes an irresistible balance of cultural criticism, philosophy, and pulp. The pacing and interconnection of the stories tease the reader along as narration and dialogue pop with insight and humor. Clowes’ art retains a classic comics aesthetic while delivering a thoroughly modern vibe.
A timeless nugget of polished pulp.Pub Date: Oct. 3, 2023
ISBN: 9781683968825
Page Count: 106
Publisher: Fantagraphics Books
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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