A fast-paced, richly imagined, gritty tale of modern-day good versus evil.
This sequel focuses on a hapless civilian caught up in a paranormal agency.
James’ first Hourglass novel introduced readers to ordinary guy and aspiring comic book artist Clyde Williams and his friend Kevin Carpenter. The two hang out regularly despite Kev being dead. The fact that the pals commune so easily brings them to the attention of the clandestine paranormal agency known as Hourglass. They’re both brought onboard as operatives, working alongside agents both lethally trained and superpowered. This new installment of their adventures features the same fevered pitch of pulp prose that made the first book so enjoyable: “A few cautious steps later and Clyde understood why the hub guards were so utterly oblivious to the two intruders marching down on them. They were not bored. They were dead. Grey skinned and white-eyed, blood still dripping from the puddles in their seats.” Robert E. Howard fans will recognize the tone instantly. Like James’ series opener, the sequel centers on the secret war Hourglass is waging against the evil Cairnwood Society, Citadel Security Solutions, and CSS’s dapper, diabolical middle manager, Edward Talbot. Added to the mix is the requisite fantasy “Master,” an evil, nonhuman entity named Charon, and its machinations further complicate an already very pleasingly complex plot. The baleful Eye of Charon lurks in the background of the tale’s expanded action, watching over plot threads and characters (the most memorable of whom eerily earns her name “Doll Face”) that range far afield from Clyde and Kev.
The sheer zest of the storytelling here is infectious. James has mastered the knack of meshing the fast-paced lingo of paramilitary thrillers with the colorful worldbuilding of urban fantasy. It’s the same combination found in books like Larry Correia’s popular Monster Hunter series and the novels of Simon Green, and it works to extremely readable effect in these pages as Clyde, Kev, and their Hourglass allies continue to face off against Cairnwood and its minions. This is the kind of SF/fantasy where internet encryptions and Glock 19s show up right alongside hexes and undead monsters (sometimes merging, as in “low-grade demonic radiation” and the like). Virtually all of the players in some way live on the borderline between those two realities. “Being a practical man, one of sound reasoning, science, and logic,” one such character thinks while standing in the middle of a literally haunted dungeon, he “never used to believe in fluffy matters such as souls and dark forces, but now, every time he shivered down in this dank hellhole he couldn’t help but wonder if it was the cause of ghosts brushing his shoulder.” This and similar passages highlight the volume’s only recurrent flaw: the author’s tendency to get tangled up in his own verbiage. But this defect is minor compared to the story’s many strengths: the sharply drawn characters, the frequency with which the jokes land, and, most of all, the roller-coaster pacing, which keeps the whole supernatural business hurtling to a gripping conclusion. Fans of urban fantasy should jump on this series at its beginning.
A fast-paced, richly imagined, gritty tale of modern-day good versus evil.Pub Date: Jan. 31, 2022
ISBN: 979-8-4107-3486-8
Page Count: 327
Publisher: Independently Published
Review Posted Online: Feb. 17, 2022
Kirkus Reviews Issue: April 15, 2022
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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