by Daniel José Older ‧ RELEASE DATE: May 14, 2019
Blisteringly paced, thought-provoking adventure.
Magdalys and company return in this sequel to Dactyl Hill Squad (2018).
On their way with their pteranodon to New Orleans to rescue Magdalys’ injured Union soldier brother, the squad falls in with the all-black Louisiana Native Guard (that they’re not Native American is commented on), led by Gen. Sheridan. Secrets soon start to spill: The sole adult in their crew, thespian Cymbeline, is actually a Union spy, and when Sheridan discovers Magdalys is a dino-wrangler, he tries to inveigle her into Union service. Magdalys feels betrayed by Cymbeline, wants to prioritize her brother, and understandably doesn’t trust Sheridan—but that doesn’t save the squad from getting pulled into battle. The rapid pace is akin to the first installment’s but smoother, and as the squad navigates peril after peril, the supporting characters come into their own. As Afro-Cuban Magdalys recognizes how putting her power in Union hands could help enslaved black people, she vacillates. Showing great respect for his readers, Older doesn’t pull any punches. Amaya, who is Apache, points out the irony of fighting for people who stole Native land. Later, Magdalys grapples with the unpleasant truth that (most?) Northerners would happily keep black people enslaved in exchange for an end to the war—even Gen. Grant himself. Readers will be relieved that in a cruelly unjust world she gets a happy ending, though it’s clear her story is far from over.
Blisteringly paced, thought-provoking adventure. (Historical fantasy. 10-14)Pub Date: May 14, 2019
ISBN: 978-1-338-26884-3
Page Count: 304
Publisher: Levine/Scholastic
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Alan Gratz ‧ RELEASE DATE: July 25, 2017
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
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Sydney Taylor Book Award Winner
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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