Klein has a light—or “lite”—touch when it comes to both philosophy and love.
A hip editor takes the helm of Cogito, a stodgy philosophical journal, with mixed—and occasionally hilarious—results.
Digby Maxwell has recently left his job at New York Magazine under untoward circumstances—he has lost his ability to be able to spot “the very next thing”—and his initial hope is to get back his former position at the Village Voice. When owner and editor-in-chief Phil Winston quickly disabuses him of that notion, Digby begins smoking a lot of pot and wondering about his future. Enter Felicia Hastings, owner/proprietor of Cogito, a journal known for the intellectual panache of its philosophical inquiry, who rather unaccountably chooses Digby to be the new editor-in-chief, succeeding her late husband, Bonner. Much to the disgust of some of the editorial staff, Digby decides to shake things up by having his first journal focus on the subject of heaven—scarcely worthy of serious analysis according to “real” philosophers. But Digby follows through, relying on old friends—one of whom is a world expert on comic books—to churn out a few metaphysical articles. He also meets Mary, a local Unitarian minister and widow, who has some serious views on the topic. Life gets complicated when Digby becomes smitten with Mary (though he is more intimately involved with the hypersexual Winny). Amid a personal life that’s falling apart—Digby’s wife has left him for Phil Winston, and his daughter Sylvie is making a good living writing online erotica—Digby tries to overcome Felicia’s plot to undermine her own journal and to woo the sweetly innocent Mary.
Klein has a light—or “lite”—touch when it comes to both philosophy and love.Pub Date: April 15, 2013
ISBN: 978-1-57962-314-2
Page Count: 212
Publisher: Permanent Press
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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