A useful, bleak exposé of a little-understood legal labyrinth constructed to harm the most vulnerable.
A disheartening exposé of how state and local judicial systems focus on privatization and profit.
Hatcher, a professor of law and advocate for social justice, delivers a well-researched, scholarly, disturbing synthesis of social history and legal treatise, tracking the long-term monetization of the justice system. “Racial and economic inequalities are inextricably intertwined in the profiteering used by each of our foundational institutions of justice,” he writes, offering an ominous reminder: “If justice falls, all else falls with it.” These quiet developments cause immense harm in vulnerable communities, and they contradict both due process and ethical requirements. As Hatcher asserts, “financial incentives must not be part of the justice equation.” In clearly organized chapters, the author delineates a harsh landscape where institutions such as child services, probation, local and state courts, and policing find ways to profit from increasingly punitive, fee-driven law enforcement, a system that frames poverty as a series of costly personal failings. Hatcher unearths distressing narratives from Michigan, Georgia, Ohio, and other states as various agencies collude with private interests to create fee-gathering structures directed toward the poor, many of whom can never climb out of the destructive cycle of debt. “This all seems confusing because it is,” writes Hatcher. “But what is clear is that the revenue strategy violates the separation of powers and judicial independence.” The child support system, notes the author, is no longer about helping children but “has been traded for revenue operations, with vulnerable children and their families being pulled into an industrialization of harm.” The final chapter reiterates the ongoing “racialized commodification” of for-profit justice. Regarding the obvious harmfulness of these machinations, Hatcher concludes, “this concern has largely been ignored because there is significant money to be made.” He writes with justifiable passion, but the discussion is often technical, paraphrasing cases rather than relying on varied evidence, so readership may be limited to specialists.
A useful, bleak exposé of a little-understood legal labyrinth constructed to harm the most vulnerable.Pub Date: Feb. 21, 2023
ISBN: 9780520396050
Page Count: 256
Publisher: Univ. of California
Review Posted Online: Jan. 20, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
