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AN ODYSSEY

A FATHER, A SON, AND AN EPIC

A well-told story that underscores the power of storytelling.

An account of the lessons learned by a son and his father as they study the Greek epic together.

There have been plenty of gimmicky books about returning to the classics and unearthing the contemporary implications and timeless wisdom therein. This sharply intelligent and deeply felt work operates on an entirely different level—several of them, in fact. A frequent contributor to the New Yorker and New York Times Book Review and winner of the National Book Critics Circle Award for Autobiography, Mendelsohn (Waiting for the Barbarians: Essays from the Classics to Pop Culture, 2012, etc.) is also a classics scholar who teaches a seminar on The Odyssey at Bard College. His father, a retired mathematician and research scientist, had been interested in the classics during his school days and decided to continue his education by studying with his son. The two also embarked on an educational cruise that attempts to re-create the journey of Odysseus. This would seem to present challenges for a man nearing his 82nd birthday, but it proved to be more of a trial for his son. Ultimately, this is a book about what they learn about each other and what they know about each other and what they can never know about each other. The author uses a close reading of the epic to illuminate the mysteries of the human condition, and he skillfully and subtly interweaves the classroom textual analysis and the lessons of the life outside it. “That’s how I was trained, and that’s how the people who trained me were trained,” he writes. “If the work has real coherence, all these details will add up, even if they’re not noticeable at first and even if the big picture isn’t clear. Only by means of close reading can we understand what the big picture is and how the pieces, the small things, fit into it.” Revelations for Mendelsohn provide epiphanies for readers as well.

A well-told story that underscores the power of storytelling.

Pub Date: Sept. 12, 2017

ISBN: 978-0-385-35059-4

Page Count: 256

Publisher: Knopf

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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