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PARDON ME!

For clever cautionary tales with a lingering bite, try those by Jon Scieszka, James Marshall or Jon Klassen.

“The Gingerbread Boy” meets “The Mitten” in this tale of a self-centered (and doomed) protagonist squawking about an increasingly crowded setting.

The digital mixed-media sky is blue, and the clouds are puffy as a yellow bird descends to a deserted dry patch of ground in the pond. The peace is short-lived; a shadow blocks the sun, and a heron descends, followed by a frog and a turtle—each uttering the titular phrase, much to the vocal and graceless annoyance of the grumpy bird. When a fox begins to speak, readers may assume this is the end—or that he is about to echo the others—but the rude protagonist sends the animals scurrying with this interruption: “WELL, PARDON ME, BUT THIS IS MY PERCH, AND I DON’T CARE WHAT YOU HAVE TO SAY!” As night falls, he achieves ultimate rest when the “land mass” rises, and the crocodile he’s been sitting on has the last “pardon”—a burp. This one-trick book is entertaining enough on the first read: The contrast between the warm and cool palettes as the action ascends and descends and the twist in the final scene will hold children’s interest. On rereadings, however, the soft focus, overly determined digital strokes and sarcastic patter offer little to sustain attention.

For clever cautionary tales with a lingering bite, try those by Jon Scieszka, James Marshall or Jon Klassen. (Picture book. 4-7)

Pub Date: June 17, 2014

ISBN: 978-1-4424-8997-4

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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LITTLE BLUE TRUCK AND RACER RED

From the Little Blue Truck series

A friendship tale with solid messaging and plenty of fun sounds to share.

In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.

Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”

A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)

Pub Date: March 25, 2025

ISBN: 9780063387843

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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