An understated and perhaps too-quiet friendship story.
A tale of longing, friendship, and the power of freedom.
Originally published in Spain as Un buen día, this story features two unusual friends, a well-dressed cat and a tiger inhabitant of a retro-style zoo. The tiger lives in a rounded cage, where he is stared at by crowds of visitors, next to an elephant, monkeys, birds, and more—also in cages. The tiger longs for the wild, where he could roam as he pleased. The cat wants his friend to be happy and eventually finds a way to help him fulfill his dream. In so doing, the cat discovers a new friend at the zoo. Muted illustrations depict the zoo in a panorama that scrolls from spread to spread, giving readers a view of the exhibits. However, the design, which lays the zoo’s cages out in a line at the bottom of nearly all spreads that don’t depict the tiger’s natural habitat, while reflective of the monotony of zoo life, is repetitive and lacks interest and variety. One illustration—in which the tiger seems to act out his wish to leave the zoo—offers viewers an intriguing set of images laid out in vertical panels. Straightforward, dry dialogue belies the depth of the friendship between the tiger and cat. As a result, this story may need a grown-up to help young readers grasp the subtle humor.
An understated and perhaps too-quiet friendship story. (Picture book. 5-8)Pub Date: Nov. 5, 2019
ISBN: 978-0-8028-5530-5
Page Count: 32
Publisher: Eerdmans
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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