A dexterous work of urban and architectural history, and a passionate tribute to the grand buildings of old New York.
A suitably grand, and suitably complex, history of the skyscraper that remains a symbol of all that is wondrous about New York City.
It being New York, there was nothing straightforward about the planning, design, or construction of what was once called Radio City. As former Time executive Daniel Okrent writes, the project began as an opera house, shifted locations and key backers and eventually purposes, and fell into the hands of the illustrious and magnificently moneyed Rockefeller family, some of whose members had, in the 1920s, lately shifted their public stance from avaricious acquirers of fortune to servants of the public good. After tough negotiations with the president and trustees of Columbia University (who would realize a fortune from their lease of the immensely valuable real estate, if decades later), the Rockefellers and their architects broadened their notion of the project to make it even grander; it would become, Okrent writes, not a destination in the city but, “organically, the city itself—a city where the privately maintained sidewalks were spotless, where the ramp-relieved cross streets were free of delivery trucks” and other impediments. Yet, for all the deep pockets of the builders, the construction fell on every imaginable difficulty, from labor difficulties to the onset of the Depression. Peopling his narrative with a vast array of characters—among them, sometimes in cameo, Benito Mussolini, Diego Rivera (whose assistant had to implore construction workers not to pee on the master’s murals), V.I. Lenin, Henry Luce, and, of course, John D. Rockefeller, then the wealthiest man in the world, and his son Nelson, whose oversight turned out to be of critical importance—Okrent takes readers on an improbably wild ride that, in the end, will leave them wondering how the vaulting skyscraper ever got built, but glad that it did.
A dexterous work of urban and architectural history, and a passionate tribute to the grand buildings of old New York.Pub Date: Oct. 1, 2003
ISBN: 0-670-03169-0
Page Count: 544
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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