An entertaining but overstuffed fantasy.
In the third installment of the Rook Files series, new recruits to secret supernatural protection agency the Checquy, all of them women, contend with Nazi killers.
Alternating between 1940 and the present, the book opens during the London Blitz. Three young Checquy agents with special powers are "standing" in the sky 10,000 feet above the beleaguered city—one of them has the ability to alter gravity—when a Nazi bomber comes into view. Violating strict rules against interfering with normal military operations (as opposed to warding off supernatural enemies), the headstrong Pamela breaks away from her cohorts and causes the plane to implode by sending a ferocious pulse through it. The women assume everyone aboard perished, but a crew member survives and subsequently goes on a killing spree down in London. Pamela and Usha, both apprentices, and Bridget, a fully-fledged Pawn, must track him down before he kills again—and Pamela's illicit actions are revealed. Decades later, a librarian named Lyn has her life as a wife and mother upended after a freak fire in her kitchen proves to be a manifestation of her long-dormant electrical powers. Recruited by the Checquy and trained in a hidden island academy, she is sent into the field, where she herself becomes wanted for murder based on brandinglike effects on the victims. With a relaxed style and array of fun characters, including an agent who makes people who look at him see their mother and a baby goat that turns into a little boy, O'Malley's latest will appeal to his many followers. Other readers may grow impatient with the time he spends in setup and background modes. After the nifty opening scene, nothing much happens for a good half of the book's nearly 700 pages.
An entertaining but overstuffed fantasy.Pub Date: Oct. 18, 2022
ISBN: 978-0-316-56155-6
Page Count: 688
Publisher: Little, Brown
Review Posted Online: Aug. 5, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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