by Daniel Paisner ‧ RELEASE DATE: Oct. 1, 1992
If a camel is a horse designed by a committee, successful TV shows, on the evidence of the cautionary tale at hand, almost have to be accidents of nature. In 1990, Paisner (The Imperfect Mirror, 1989, etc.) was invited by TV impresario Bruce Paltrow (producer of St. Elsewhere and The White Shadow) to observe the filming of E.O.B., a sitcom Paltrow was producing in N.Y.C. The nascent program, starring Mary Beth Hurt and Rich Hall, focused on the antics of presidential speech-writers. Though a rough pilot was eventually taped, E.O.B. (slated for a six-episode run on the CBS prime-time summer schedule) never made it to the starting gate for reasons both within and beyond the control of its originators—e.g., Iraq's invasion of Kuwait, tardy casting, an uninspired director, script problems, a wildcat strike by technicians. Paltrow (who's married to actress Blythe Danner) and his colleagues tried again in 1991, this time on the West Coast. Despite a fresh cast (including William Daniels and singer Gladys Knight), the born-again project also sank without a trace. Thanks to Paisner, who has made the most of the unlimited access granted him by Paltrow, the abortive project (a collaborative failure if ever there was one) has achieved immortality of sorts here as a show-biz might-have-been. Without patronizing either the program's principals (a serious and dues-paying, albeit laid-back, lot) or the straitlaced networks that have the commercial equivalent of life-and-death powers, the author provides a riveting, revelatory account of the economic, creative, and pop-cultural forces shaping the entertainment fare available on home screens. One of the better inside-appreciations of the chancy, high- stakes game of broadcast TV since Merle Miller's Only You, Dick Daring (1964). (Eight pages of photographs—not seen.)
Pub Date: Oct. 1, 1992
ISBN: 1-55972-148-0
Page Count: 256
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
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by Lindsey Jacobellis with Daniel Paisner
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by Steve Aoki with Daniel Paisner
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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