A sadly effective dramatization of the comic-strip Pogo’s insight: “We have met the enemy, and he is us.”
Security solutions specialist Aubrey Sentro’s latest attempt to retire from “Moonlighting in the Spook Life” plunges her as deeply into international intrigue as all the others.
Sentro’s old Soviet contact, exiled oligarch Ilya Arshavin, wants her to look into a recent terrorist bombing at the Madrid stock exchange that destroyed $500 million. He doesn’t think the perp was a terrorist, and his fatal shooting soon afterward by the bomber gives his request a certain urgency. Even though her children, Jenny and Jeremy Troon, still recovering from the scars inflicted by her last adventure, beg her to let it go, Sentro, driven by a combination of institutional loyalty and OCD, reluctantly agrees to one more spin of the wheel even though she’s still tormented by nightmares and daytime bouts of amnesia. Her official mission is to lead Canadian Security Intelligence Service special operative Ryan Banks and other interested parties to Pogo, the former Stasi spymaster whose identity she’d learned during her yearlong imprisonment in the Soviet Union back in 1990 and then forgotten. Before she can take more than a few halting steps in that direction, a hit team swoops down on her ranch and kills her current lover, and soon after an awkward conversation in which Sentro shares with Jenny, whom she’s rescued from the ranch in the nick of time, some unlovely secrets of her past, her daughter abandons her to fly to Europe with the glamorous Cuban-born assassin Mercedes Izquierdo. As Sentro gets closer and closer to unmasking Pogo, she realizes that her daughter is following surprisingly closely in her own footsteps in good ways and bad—and that Sentro herself has been living even more lies than she’s known.
A sadly effective dramatization of the comic-strip Pogo’s insight: “We have met the enemy, and he is us.”Pub Date: Feb. 15, 2022
ISBN: 978-1-5420-3104-2
Page Count: -
Publisher: Thomas & Mercer
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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