Another irresistible rant from Quinn, a sequel to his Turner Tomorrow Fellowship winner, Ishmael (1992), concerning a great, telepathic ape who dispenses ecological wisdom about the possible doom of humankind. Once more, Quinn focuses on the Leavers and Takers, his terms for the two basic, warring kinds of human sensibility. The planet's original inhabitants, the Leavers, were nomadic people who did no harm to the earth. The Takers, who have generally overwhelmed them, began as aggressive farmers obsessed with growth, were the builders of cities and empires, and have now, in the late 20th century, largely run out of space to monopolize. Quinn's books have not featured many memorable characters, aside from Ishmael. This time out, though, he invents a lively figure, 12-year-old Julie Gerchak, who is tough and wise beyond her years, having had to deal with a self-destructive, alcoholic mother. Julie responds to Ishmael's ad seeking a pupil with an earnest desire to save the world (a conceit carried over from the earlier novel). Once again, the gentle ape shares his wisdom in a series of questions and answers that resemble, in method, a blend of the Socratic dialogues and programmed learning. Moving beyond his theories about Leavers and Takers, Ishmael presents a detailed critique of educational systems around the world, suggesting that their function is not to usefully educate but to regulate the flow of workers into a Taker society. This is all very well, but what does Ishmael/Quinn suggest be done to redeem the Takers, and to save the earth? Quinn seems to want to sketch out how change might come about, but it's never fully explored. Instead, the novel is increasingly taken up with the mysteries surrounding Ishmael's travels and fate. This is the weakest of Quinn's novels, but his ideas are as thought-provoking as ever, even so. (Author tour)
Pub Date: Nov. 10, 1997
ISBN: 0-553-10636-8
Page Count: 304
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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