by Daniel Roberts ‧ RELEASE DATE: Nov. 2, 2021
If you're ready to abandon all political consciousness and get in the wayback machine, you'll exit smiling.
An archly comic love story with notes of farce and fable.
Meet Charlie Green, a very rich, White, Ivy League–bound 18-year-old with Holden Caulfield genes, about to fall in love with the most beautiful "light-eyed" female barmaid in Philadelphia. Set in 1987, Roberts' debut almost seems like it was written in 1987; from the title on out, the author is blithely unhampered by current ideas about privilege, sexism, ethnic stereotypes, and more. Charlie is the son of adorable Frenchman George Green, known as Jee-Jee, and Rose, his alcoholic wife, whose fairy-tale wealth comes from a barnful of old masters paintings. At first, the novel has YA overtones, as we meet Charlie working as the only skinny counselor at a camp for overweight middle schoolers. "It pain[s] [Charlie] that he [can’t] give himself…romantically" to the Very-Brown-Eyed-Counselor who has a crush on him; he is saving himself for his last night before college, during which he has elaborately planned to lose his virginity to his girlfriend. Despite following the advice of his successful older brother, John—"The shower you take before you lose your virginity is more important than the shower you take before your wedding....A new bar of Irish Spring. New razor. No cologne. Extra deodorant, but it has to be cheap. You should smell like a working man"—he'll end up sulking over pizza and headed for life-changing adventures. Every step of the way he consults John, who is, after all, a successful Wall Street "Haircut" with a Princeton degree and an amazing six-figure girlfriend named Shannon Chang. Informing Charlie that almost every pretty girl owns a futon, he explains, "They treat it like a flying carpet. They're obsessed. It's weird. They think it makes them seem more grounded, but also sexually aloft. Girls are really into their own paradoxes." Roberts' old-school, slightly surreal humor has a dash of Barthelme or Perelman.
If you're ready to abandon all political consciousness and get in the wayback machine, you'll exit smiling.Pub Date: Nov. 2, 2021
ISBN: 978-1-950994-27-4
Page Count: 312
Publisher: Arcade
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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