Though a study of slothfulness and its discontents, a welcome book on which the author has clearly expended energy.
A pleasingly quirky U.S. debut from Saldaña París, a young Mexican writer who now lives in Canada.
Rodrigo has the studied indifference of a Meursault, but he’s not really criminally inclined; sorting right from wrong would be too much work. He spends much of his time hanging out in his Mexico City apartment, which has, unusually, an empty lot next door on which, fittingly, nothing much happens. “My life is a repetition of one Saturday after another,” he says, in a “reign of inertia.” Rodrigo likes the unexamined and untroubled life, it seems, but things pick up, much to his chagrin, when he grudgingly takes a job and blunders his way into a marriage. Neither fits his lifestyle, which is doomed from the outset. “Living with Cecilia is self-inflicted torture,” he kvetches. “Her scorn for me grows with the weeks, festering like a tenacious parasite in the inches of mattress that separate us each night.” They wind up in his mother’s hometown, cousin to the ghostly plateau haunts of Juan Rulfo’s Pedro Páramo, where an effusive Spaniard, a friend, perhaps more, of his mom’s, complicates his life with projects, even as Rodrigo wishes he could just be left alone to “sleep in late and walk in my underwear to the kitchen to drink—straight from the bottle—a swig of thick, repulsive milk.” The plot itself thickens, though not repulsively, as those projects widen to take in psychedelic cacti, astral projection, hypnosis, cultic doings, and expatriate hipsterdom: Rodrigo can barely keep up, and in the end, the simplicity of that empty lot beckons. The story is both critique and sendup of millennial slackerdom, and though it’s more character study than action-driven, what does happen is full of odd twists and surprises. Among the high points are Saldaña París’ exasperated but affectionate paeans to “the immense, beautiful city” that is Mexico’s capital.
Though a study of slothfulness and its discontents, a welcome book on which the author has clearly expended energy.Pub Date: June 7, 2016
ISBN: 978-1-56689-430-2
Page Count: 240
Publisher: Coffee House
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
