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BONFIRES OF THE AMERICAN DREAM IN AMERICAN RHETORIC, LITERATURE AND FILM

A concise, nuanced investigation of contesting definitions of the American dream.

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A professor examines the thematic use of the American dream in speeches, books, and film.

When it was first released in 1946, Frank Capra’s It’s a Wonderful Life was labeled by J. Edgar Hoover’s FBI as “Communist propaganda” due to its depiction of the greedy, coldhearted slumlord and banker Henry Potter. In the 1980s, the memorably wholesome film was described by one critic as the “perfect film for the Reagan era.” This paradoxical interpretation of It’s a Wonderful Life, argues author Shaviro, represents competing definitions of the American dream, in particular the historic conflict between market meritocracy versus egalitarianism. Analyzing the rhetoric of high-profile U.S. politicians and ideologues, works of literature, and films, Shaviro explores these rival meanings of the American dream. Egalitarianism, he notes, focuses not just on equal opportunities, but on “ex post economic outcomes,” while the meritocratic view assumes that “winners and losers are not equal after all” and that, ultimately, the more deserving rich “owe the poor nothing.” A professor of taxation at NYU Law School whose previous publications have centered on literature and inequality, Shaviro has a firm command over both U.S. economic policy and pop culture, and his analysis of the contested American dream explores a diverse raft of books, from The Great Gatsby (1925) to Atlas Shrugged (1957), and films, from The Searchers (1956) to The Wolf of Wall Street (2013). The book also includes a sophisticated analysis of the ways in which “White solidarity has frequently proved powerful enough to outweigh economic and class concerns,” as evidenced in American books and films as well as in the speeches of politicians like Donald Trump. It concludes with a convincing, if pessimistic, assessment of 21st-century racism, economic inequality, and conservative backlash. Backed by an impressive bibliography, this is a well-researched book that carefully balances a scholarly writing style with engaging anecdotes from popular movies and books. Its efforts at making academic writing more accessible are bolstered by its brevity.

A concise, nuanced investigation of contesting definitions of the American dream.

Pub Date: June 14, 2022

ISBN: 9781839983825

Page Count: 136

Publisher: Anthem Press

Review Posted Online: Nov. 7, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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