A novel that delivers pretty much everything Silva’s fans want.
Silva takes his hero to where this bestselling series began.
Fans have gotten used to a new Gabriel Allon book every summer. Anyone wondering what the former head of Mossad might be doing during the war in Gaza will not find an answer here. This is bad news, maybe, for readers who appreciate Silva’s engagement with real-world politics, but it’s good news for those looking to this series for escape. This narrative is set in motion by the death of an art historian trying to reconnect a Picasso painting stolen by the Nazis with its rightful owner. Allon is drawn into this mystery by an old acquaintance from Cornwall, the place where he tried to escape his past and where readers first met him in The Kill Artist (2000). As he did in The Collector (2023), the author focuses on Allon’s connections to the art world, rather than his tenure as an assassin and intelligence operative. None of this is to say that Allon doesn’t make use of spycraft and his network of powerful international contacts. Although longtime fans may miss their favorite members of his old crew, there are plenty of familiar characters here. Allon enlists the help of hacker and master thief Ingrid Johansen and violin virtuoso Anna Rolfe. And it’s Timothy Peel—all grown up—who asks Allon for help investigating a seemingly simple case of murder that isn’t simple at all. All of this is fun enough, but it also feels a bit static. In Portrait of an Unknown Woman (2022), Allon whipped up passable forgeries of works by Renaissance masters like Titian, Tintoretto, and Veronese in a matter of days. Here, his plan for recovering a Picasso requires him to produce convincing lost paintings by modernists and postmodernists with wildly different styles. The glimpses into Allon’s family life also feel rote. Silva’s fans know that Chiara can do much more than cook and smile while her husband goes off on his adventures.
A novel that delivers pretty much everything Silva’s fans want.Pub Date: July 9, 2024
ISBN: 9780063384200
Page Count: 432
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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