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THE COLLECTOR

Relevant and richly entertaining.

A lost masterpiece and a professional hit lure the world’s most famous spy back into the field.

Summoned by an old friend to the Amalfi Coast, Gabriel Allon finds a murder scene and an empty stretcher that could have held only one painting, a painting of inestimable value that has been missing for decades—Vermeer’s The Concert, stolen from the Isabella Stewart Gardner Museum in Boston in 1990. Allon’s search for this cultural treasure leads him to an alliance with a Danish IT consultant—and gifted thief—and it will require the assistance of the team he once led as head of Israel’s intelligence service. As Silva’s fans will expect, this hunt for a work of art will quickly turn into something much bigger—maybe a rush to avert World War III? Over the course of 22 novels featuring Allon, Silva has vacillated between escapism and realpolitik. This installment is a near-perfect combination of both. One of the pleasures of a Gabriel Allon novel is that it allows us entrée into a world few will ever experience. But even as he might leave readers sighing over a Versace gown or a Michelin-starred meal, Silva asks us to take a hard look at what money can do. He shows us an underground economy in which irreplaceable works of art are used as currency or collateral—or, at best, end up in private vaults where they are protected but inaccessible. And the same wealth that makes commissioning the theft of a well-known and well-guarded masterpiece possible makes murder easy. None of which is to say that this is an anti-capitalist screed. This is a thriller, and it satisfies in the ways that a thriller should while also offering food for thought. And if the plot hinges on one absolutely outrageous coincidence… well, Silva’s fans will likely be willing to allow him that.

Relevant and richly entertaining.

Pub Date: July 18, 2023

ISBN: 978-0-06-283487-4

Page Count: 402

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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