Engaging and deftly paced, another thoughtfully entertaining summer read from Silva.
A legendary spy takes a vacation—or tries to, anyway—in Silva’s 20th Gabriel Allon novel.
Gabriel is trying to enjoy some rest and relaxation with his family in Venice when he learns that an old friend has died. As it happens, this old friend was Pope Paul VII, and it’s not long before Allon is summoned by the pontiff’s personal secretary. Archbishop Luigi Donati has reason to believe that the Holy Father did not die a natural death. For each of the past several summers, Silva has delivered a thriller that seems to be ripped from the headlines. This latest book feels, at first, like something of a throwback. Palace intrigue at the Vatican might seem quaint compared to Islamist extremism or Russia’s rise as an international influence, but Silva makes it relevant and compelling. Allon discovers that the most likely culprits in the death of the pope are connected to far-right leaders throughout Europe, and the rediscovery of a lost Gospel sheds new light on Christian anti-Semitism. The villains here are Catholic traditionalists—Silva’s imaginary Paul VII looks a lot like the real-life Francis I—and “populist” politicians who appeal to nativist, anti-globalist sympathies. As Silva looks at European contempt for a new wave of immigrants from Africa, the Middle East, and Asia, he finds a model for this xenophobia in ancient hatred of the Jewish people, an antipathy that has its roots in the New Testament. He interjects a few Bible studies lessons and offers a bit of history as background; these passages add depth without impeding the forward momentum of the plot. Readers familiar with this series may notice the evolution of a motif introduced a few novels ago: In the world of Gabriel Allon, the United States has receded from relevance on the world stage.
Engaging and deftly paced, another thoughtfully entertaining summer read from Silva.Pub Date: July 14, 2020
ISBN: 978-0-06-283484-3
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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