Engaging and deftly paced, another thoughtfully entertaining summer read from Silva.
A legendary spy takes a vacation—or tries to, anyway—in Silva’s 20th Gabriel Allon novel.
Gabriel is trying to enjoy some rest and relaxation with his family in Venice when he learns that an old friend has died. As it happens, this old friend was Pope Paul VII, and it’s not long before Allon is summoned by the pontiff’s personal secretary. Archbishop Luigi Donati has reason to believe that the Holy Father did not die a natural death. For each of the past several summers, Silva has delivered a thriller that seems to be ripped from the headlines. This latest book feels, at first, like something of a throwback. Palace intrigue at the Vatican might seem quaint compared to Islamist extremism or Russia’s rise as an international influence, but Silva makes it relevant and compelling. Allon discovers that the most likely culprits in the death of the pope are connected to far-right leaders throughout Europe, and the rediscovery of a lost Gospel sheds new light on Christian anti-Semitism. The villains here are Catholic traditionalists—Silva’s imaginary Paul VII looks a lot like the real-life Francis I—and “populist” politicians who appeal to nativist, anti-globalist sympathies. As Silva looks at European contempt for a new wave of immigrants from Africa, the Middle East, and Asia, he finds a model for this xenophobia in ancient hatred of the Jewish people, an antipathy that has its roots in the New Testament. He interjects a few Bible studies lessons and offers a bit of history as background; these passages add depth without impeding the forward momentum of the plot. Readers familiar with this series may notice the evolution of a motif introduced a few novels ago: In the world of Gabriel Allon, the United States has receded from relevance on the world stage.
Engaging and deftly paced, another thoughtfully entertaining summer read from Silva.Pub Date: July 14, 2020
ISBN: 978-0-06-283484-3
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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