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MONKEY MIND

A MEMOIR OF ANXIETY

A true treasure-trove of insight laced with humor and polished prose.

Intimate, compelling memoir exploring the boundaries of the author’s severe anxiety.

Raised in a neurotic family consisting of two anxious parents and a brother suffering from hypochondria, Smith’s (Muses, Madmen, and Prophets: Rethinking the History, Science, and Meaning of Auditory Hallucination, 2007) anxiety began in childhood. By his mid-20s, he had suffered multiple serious anxiety attacks. On the surface, Smith’s life seemed happy. He recently graduated from college with honors, had a great job, loyal friends, a nice place to live and a wonderful girlfriend. “Yet every day was torture,” he writes. “I slept fitfully, with recurring nightmares—tsunamis, feral animals, the violent deaths of loved ones. I have intestinal cramps and nausea and headaches. A sense of impending catastrophe colored every waking moment.” Combining a droll tone and a sharp eye for detail, Smith chronicles his consuming physical and mental symptoms. He unrelentingly gnawed his nails until they became a bloody mess. Sweat, “the great unspoken foe of the chronically anxious,” receives its own chapter. During a temporary job, the author squashed wads of toilet paper into his armpits, hoping the trick would stem the tide of his sweat. During a chat with his supervisor, he leaned over her desk and “the wad dislodged, rolled down my shirt sleeve, and landed beside her keyboard with a sickening splat.” In addition to his personal stories, Smith describes the character traits exhibited by the different types of anxiety sufferers. He compares homesickness to anxiety and explains the radical difference between anxiety and panic attacks. During college, Smith perused the library, using literature as a diagnostic tool; he found Philip Roth’s writing especially helpful. The author eventually found solace in meditation and cognitive therapy. Smith’s narrative smoothly juxtaposes clinical language with often-excruciating details of a life lived within the painful framework of severe anxiety.

A true treasure-trove of insight laced with humor and polished prose.

Pub Date: July 3, 2012

ISBN: 978-1-4391-7730-3

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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