An optimistic, evenhanded instruction manual, with upbeat illustrations, for anyone trying to understand the conflict.
A self-described liberal American Jew earnestly and humanely parses the Palestinian-Israeli conflict.
Acknowledging the passionate feelings surrounding the conflict on both sides, Sokatch, who runs the New Israel Fund, starts from the fair-minded position that Israelis and Palestinians are both right and both wrong, “two peoples, both with legitimate connections and claims to the land, who have been victimized by the outside world, each other, and themselves.” In a two-part narrative enhanced by Noxon’s illustrations, Sokatch first delves into the biblical history of the destruction of the Second Temple and dispersion of the Jews in 70 C.E. and the development of the two main Jewish cultures, Sephardic and Ashkenazi. The author moves on to Zionism and its various facets, with a sidebar exploring the question, “Is Zionism justifiable?” He then examines the existence of a people already on the ground when European Zionists arrived, raising the question of who has the more ancient legitimacy. (The likely truth, he writes, is that both peoples probably descend from the same stock.) With the rise of Jewish nationalism in the late 19th century, Palestinian Arab nationalists began to define themselves in direct opposition to the Zionists, and Jewish-Arab violence predictably increased. The author moves steadily from independence and the displacement of the Palestinians through the seemingly endless series of depressing, tumultuous conflicts that have plagued the region ever since. In the second part of the book, Sokatch addresses thorny issues that “make people crazy” about the conflict, including discrepancies between actual territory versus what the maps denote; the fraught history of U.S.–Israel relations; the effects of the Palestinian Boycott, Divestment and Sanctions movement; and the increase in power of Christian evangelicals. The author closes with a “Lexicon of the Conflict,” a highly useful tool offering further context to the narrative and the issues at hand.
An optimistic, evenhanded instruction manual, with upbeat illustrations, for anyone trying to understand the conflict.Pub Date: Sept. 21, 2021
ISBN: 978-1-63557-387-9
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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