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BOOMER1

Stylishly written, cleverly observed, and boldly imagined.

After his academic job search, his journalistic career, and his marriage proposal go down in flames, an angry young man moves into his mother's basement and starts a radical movement that pits millennials against baby boomers.

Cassie and Mark, both bluegrass musicians, meet at a gig in Williamsburg, where "maybe fifty bespectacled recent college grads milled around drinking Pabst Blue Ribbon from the can and Miller High Life from the bottle." Cassie reflexively rebuffs Mark's friendly overtures, fearing that her girlfriend will notice and take umbrage. (Perhaps girlfriend is not the right word. "They lived together in a kind of Heiddegarian phenomenological relationship present, in which only the present moment of drinking or playing music or fucking existed, an immediate Dasein of mutually undecided and uncommented-upon cathexis, Eros and lust.") Despite Cassie's lack of enthusiasm, the two soon find themselves in a band, a relationship, and a shared apartment. But shortly after Mark gets her a fact-checking gig at the glossy magazine where he's on staff, their lives take starkly different turns. He loses his job, spends a year writing an essay on Emma Goldman that no one reads, then makes a financial and romantic mistake so serious he is forced to move home to Baltimore. There, he puts on a David Crosby mask, sets himself up in front of an upside-down poster of Jerry Garcia, and begins to issue YouTube screeds against baby boomers. His message: Retire now, greedy pigs, and free up the jobs for us. The videos go viral. Cassie, meanwhile, is riding a wave of good luck. She's become Director of Research at a new media company called RazorWire and is having a passionate relationship with a brilliant female co-worker. The money is fantastic even if the job is something less than that, fact-checking articles like "Seventeen Great New Recipes That Use Splenda Instead of Sugar." But when Mark, now known as Boomer1, loses control of his movement, bad things start to happen, first to Bob Weir, Eddie Bauer, Jann Wenner, and the AARP. Torday's (The Last Flight of Poxl West, 2015) gifts as a writer are brilliantly displayed in the details of Cassie's and Mark's inner and outer worlds. A third main character, Mark's mother, is not as compelling, and when this ambitious social novel comes to rest with her, it loses some steam.

Stylishly written, cleverly observed, and boldly imagined.

Pub Date: Sept. 18, 2018

ISBN: 978-1-250-19179-3

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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