The disparate elements of this ambitious mashup may make it difficult for it to find its ideal readers.
Heavily armed Jewish mystical cult meets weed-legalization conspiracy meets renewed college love affair meets ecstatic highs of various persuasions.
"Zeke turned onto Shabbetai Road, where he encountered all at once: an RV with an immense airbrushed painting of the face of Nathan Fritzman, Natan of Flatbush, Hebrew lettering atop the image; two trailer homes in the near distance; a single two-story colonial set back from the road; and in front of each of these buildings, men in traditional Hasidic garb carrying automatic rifles." Following his exploration of a splinter social movement in Boomer1 (2018), Torday dives deep into the beliefs, text, practices, and marijuana operation of an imaginary Jewish cult with ties to both the Satmar of New York and the Dönme, Turkish Jews who feigned conversion to Islam. His protagonist, Ezekiel “Zeke” Leger, is a New York–based journalist and magazine editor who travels back to Central Ohio for the funeral of a college friend. Shortly after he arrives, an Uber driver suggests he investigate the story of Nathan Fritzman, a Jewish cult leader currently jailed for the murder of his 16-year-old son. Turns out Zeke's college girlfriend, Johanna Franklin, was the lead prosecutor for the state. Those who are interested in the revival of the love affair between Zeke and Johanna, who met as undergrads at William James College, an Oberlin look-alike, may be less interested in the mystical and unconventionally punctuated writings of Natan of Flatbush concerning the tenets of Ein Sofism, which are included here at some length. Those who are following the investigation of the murder of Fritzman’s son and its connection to the various groups fighting tooth and nail for control of legalized weed in Ohio may find themselves floundering during extended descriptions of drug-induced experiences. But through it all, Torday’s redoubtable novelistic chops produce a steady stream of strong dialogue and sharply drawn scenes.
The disparate elements of this ambitious mashup may make it difficult for it to find its ideal readers.Pub Date: Jan. 17, 2023
ISBN: 978-1-2501-9181-6
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
