A rollicking, otherworldly tale that’s only just getting started.
A young warrior battles sinister forces in a world besieged by darkness in Varona’s fantasy debut and series launch.
Lady Eve was once a queen in her utopian world of Eden. But evil has corrupted the Age of Light, and Eve now leads the Reclaimers in fighting to bring that Light back. A prophetic dream shows her that her youngest son, Seth, is the Chosen One who will ultimately triumph over the darkness. Eve trains him for combat, but a sudden attack at the Reclaimers’ base leaves most of them dead, and the boy is left alone. Six years later, Seth wanders the landscape with his trusty dog, Chase. He resolves to avenge his mother and all who’ve suffered, starting with taking out a diabolical group called the Hand of Sin. This pits him against the likes of Gomorrah, the Gluttonous King of Sodom, along with any number of deadly creatures and lethal mechanical beings. Luckily, he gathers allies along the way, including the skilled warrior Valentina and Ryder, who leads a band of “messengers” on their “speedy vehicles,” which resemble motorcycles. The author delivers an epic series opener reminiscent of the video games that served as his inspiration: Seth drinks a rejuvenating elixir; embarks on a side quest (winning a race to get a ride to the kingdom of Babylonia); and goes head-to-head with boss-level baddies like Gomorrah. The heroes engage in copious exhilarating action scenes as they battle ghouls, monsters sporting large “bone-like spikes,” and seriously depraved villains. Despite all of these evils, the story often feels lighthearted. Chase regularly converses with Seth; the text translates his barks (which Seth understands). The prose includes contemporary-sounding dialogue, breezy similes (a tremor shakes barracks “like a plucked guitar string”), and one-liners. The explosive final act ends on a stellar cliffhanger that will leave readers craving a sequel.
A rollicking, otherworldly tale that’s only just getting started.Pub Date: Dec. 9, 2022
ISBN: 9781639887361
Page Count: 596
Publisher: Atmosphere Press
Review Posted Online: April 25, 2023
Kirkus Reviews Issue: June 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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