Such narration carries this novel—and it’s a weighty, worthwhile load.
A long-suffering kid draws the bars of his own cage, in Woodrell’s tender and downright merciless seventh novel (after Tomato Red, 1998).
The author’s previous work reaped praise for its depiction of Ozark lowlifes, as well as for capturing the inadvertent beauty of redneck speech. These elements are present again, but having 13-year-old Shuggie Akins narrate quells the comedy and heightens the pathos. The boy is an unresourceful Huck Finn, including even the brutal father but without the option of hopping on a raft and skipping town. Father Red’s orneriness (“he had a variety of ugly tones to speak in and used them all at me on most days”) is intensified by his not being Shuggie’s real father; and when not off “scallybippin’” with his one obsequious crony, or roughing up the family, Red makes the boy break into bed-ridden people’s homes to steal dope. Woodrell’s sketches of invalids are windows into tiny realms of helplessness. But the weirdest and most affecting moments come when Red is out of town (which is often) and attention shifts to Shuggie’s relationship with his mother Glenda, who, skimpily dressed, steadily downs her rum-and-cola “tea.” As caretakers isolated in the middle of a graveyard, mother and son address each other in creepily unorthodox ways: she calls him “hon,” he calls her Glenda: “Living alongside the gathered dead of our town was a thing me and Glenda never did fear ’cause we never done them no dirt when they lived.” The actual plot—in which Glenda tempts the wrath of Red with an ill-chosen affair—has trouble generating interest beside the eerie revelations of character and the artfully artless language: “Except for the noise of the tractor it rode about the way I figured some horses might. Except also for the stink of the smoke and gas and the noise when the gears gnashed.”
Such narration carries this novel—and it’s a weighty, worthwhile load.Pub Date: May 21, 2001
ISBN: 0-399-14751-9
Page Count: 208
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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