by Daniella Mestyanek Young with Brandi Larsen ‧ RELEASE DATE: Sept. 20, 2022
Affecting, if a touch long, and a deft portrait of the dangers of blindly following leaders of whatever stripe.
Goal-oriented, driven, and often betrayed, the author recounts time spent in the twin cults of centrifugal Christianity and the American military.
“The first rule of cults is you are never in a cult,” writes Mestyanek Young, who grew up in the communal world of the Children of God, led by a self-styled prophet who gathered a group of young followers whom he thought of “as sheep, in need of a shepherd.” Moving from country to country—Brazil, Mexico, Japan—a step ahead of the authorities, the group, as described by the author, was both strict in discipline and extremely free-wheeling in matters of sex, especially sex with minors. As a young teenager, the author broke free, attended college, and married at 21, briefly settling into a relationship that was problematic even years after her divorce. She also joined the U.S. Army, which had many of the cultish ingredients of her youth, especially the view that “as a woman, you’re either a bitch, a slut, or a dyke.” Even so, and despite her revulsion at superior officers’ defense of torture, Mestyanek Young excelled in leadership skills, working in intelligence in Afghanistan. “I was sure I could be a part of the army but not owned by it, that a person could have brains and independent, innovative thoughts” she writes, quickly adding, “I was wrong.” When she ran afoul of the command structure, her career ground to a halt. The author recounts her story in a series of episodes that become repetitive in the reading even as it’s clear that she was treated unjustly, at least by civilian standards. In the end, her message is compelling: A cult is a cult, she writes, and being a member makes it easy “to hate, harm, even kill because we are the good guys.”
Affecting, if a touch long, and a deft portrait of the dangers of blindly following leaders of whatever stripe.Pub Date: Sept. 20, 2022
ISBN: 978-1-250-28011-4
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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