Lambelet’s luscious, cinematic artwork will transport readers.
A boy finds joy, loss, healing, and love in the power of storytelling.
In cap and suspenders, Liam waves from a dock as his father sets sail across the opening endpages. Reunited, the two embrace before the burly sailor spins tales of his adventures in front of a crackling fire, as mermaids, treasures, and shark-infested waters swirl to life. But when his father sets out again and doesn’t return, Liam’s world turns gray and stories lose their pull, until an old traveler arrives with a magic beard who is able to weave words into pictures. Together, the two journey across the world, and Liam learns to really look and listen, and when the time comes for him to tell a story, he finds his father in stories told, in adventures taken, and in the weaving of words and sharing of stories. Fanciful illustrations are meticulously drawn, and the artist uses geometric shapes stylized to appear sculpted, reminiscent of a stop-motion animated picture. The cool, bright color palette is used to great effect as all turns gray to depict grief and loss, with color returning in the traveler’s stories and in their journey together. Skilled compositional designs showcase the flowing nature of the tales at sea and the traveler’s beard’s ability to hold the memory of adventure and become a metaphor for journey and growth. Liam and his father present white; the traveler has brown skin; Liam’s 19th-century seaside town is largely white but has a few residents of color.
Lambelet’s luscious, cinematic artwork will transport readers. (Picture book. 4-8)Pub Date: Oct. 8, 2019
ISBN: 978-1-62414-765-4
Page Count: 40
Publisher: Page Street
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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