Margaret’s alternating bursts of inspiration and despair about her work may feel achingly familiar to Dutton’s likely...
A slim, poetic meditation on the writing life as seen through the experiences of Margaret Cavendish, Duchess of Newcastle, a 17th-century woman of letters.
In the Author’s Note, Dutton (Sprawl, 2010, etc.) thanks Virginia Woolf for introducing her to her subject: the Duchess of Newcastle appears in Woolf’s essay of that name as well as in A Room of One’s Own, Woolf’s famous plea for women’s economic and intellectual autonomy. Woolf hovers over this brief novel, audible in its cadences and visible in its cascading images of nature, artistry, and oddity. Margaret Lucas, a daughter of royalist gentry, is sent to sit out the English civil war as a lady-in-waiting to the English queen in Oxford: “I found myself in an unknown universe, whirling far into space: African servants, dogs in hats, platonic ideals, sparkling conversation, and ivy-covered quadrangles with womanizing captains, dueling earls, actors.” The war heats up and the queen's court moves to Paris. Back home, offstage, most of Margaret's family members die in the war. She wins the heart of William Cavendish, 30 years her senior. He’s a rich, intellectual marquess, quite the catch, but the Parliamentarians have confiscated his vast estates and fortune. The couple lives in exile in France and the Low Countries, where they hang out with scientists, poets, and philosophers (Descartes, Hobbes, Waller, Davenant), writing plays, poems, and treatises, until the Restoration reverses their fortunes (and for some reason the narration switches from first person to third). Back in England, now a duchess, Margaret gets weirder and weirder, all in carefully crafted, lyrical sentences. She offends the new queen by showing up to an audience in a dress with an extravagant train. When visitors come, she rants and recites at them. She wears a topless outfit to the theater, rouging her nipples. People follow her around, calling her Mad Madge. Most of all, though, she struggles to write. Despite its period setting and details, this novel—more poem than biography—feels rooted in the experiences of contemporary women with artistic and intellectual ambitions.
Margaret’s alternating bursts of inspiration and despair about her work may feel achingly familiar to Dutton’s likely readers, many of whom will probably also be aspiring writers.Pub Date: March 15, 2016
ISBN: 978-1-936787-35-7
Page Count: 160
Publisher: Catapult
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
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