by Danielle Prescod ‧ RELEASE DATE: Oct. 1, 2022
A trenchant, honest, and unique memoir about body image, fashion, and Blackness.
A Black fashion reporter describes how White supremacy led to her crippling perfectionism and subsequent eating disorder.
Growing up in Connecticut, from a young age, Prescod assumed the role of the “token Black girl” in her mostly White group of friends. Sometimes she was forced to play the role of Scary Spice, the only Black Spice Girl, during pretend play. Other times she discovered her classmates’ racist attitudes on three-way phone calls. Years of being teased about her alleged tendency to act White made her jumpy around her Black peers, eliminating the possibility of a safe haven away from her school friends. Due to this isolation, she “became manipulative, calculating, and mean. I was desperate to gain some modicum of control, and to do that, I constantly doled out criticisms, gossiped, and stirred up petty drama. I developed a haughty affect that I employed for both passing judgment and my own protection.” Her sharpness turned out to be an invaluable weapon not only for hiding her internalized racism from her peers, but also for her professional success in the fashion industry. Eventually, though, her ambition and self-hatred morphed into debilitating depression and an eating disorder. “I was in dogged pursuit of an imagined sense of power,” she writes, “and was very mean in doing so….But I wonder now if I was always meanest to myself.” Prescod left the fashion industry for a job at the TV network BET, a move she now sees as the first step on her long, slow recovery. Throughout the text, the author exhibits an impeccable clarity of thought, drawing thoughtful and original connections between institutionalized racism and her personal experience. Her voice is frank, vulnerable, and witty, and she has a talent for using humor to poke fun at her past self while simultaneously underscoring the depth of the systemic violence she was forced to endure.
A trenchant, honest, and unique memoir about body image, fashion, and Blackness.Pub Date: Oct. 1, 2022
ISBN: 978-1-5420-3516-3
Page Count: 286
Publisher: Little A
Review Posted Online: May 23, 2022
Kirkus Reviews Issue: June 15, 2022
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BOOK REVIEW
by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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