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THE ANCESTOR

Passion trumps reason in this gothic extravaganza.

Scientific speculation seeps into the world of the eerie in Trussoni's (The Fortress, 2016, etc.) lush thriller.

Alberta Monte, known to all as Bert, is mourning a miscarriage and has recently separated from her husband when she receives a letter at her Hudson Valley home informing her that she has been identified as the last living descendant of the House of Montebianco. Despite a “creeping sense of danger slithering up my spine,” Bert allows the estate's lawyer to sweep her off by private jet first to a luxury hotel in Turin and then by helicopter to Montebianco Castle in the remote, snowbound Italian Alps. Finding herself without cellphone or internet access, and observing that the helicopter pilot doesn't return for her at the promised time, Bert begins to suspect that her inheritance has its minuses as well as its pluses. Life inside the castle, which comes complete with eccentric caretakers, vicious guard dogs, and a madwoman in the attic, is hard enough. Outside the castle live blue-eyed, white-haired, big-footed monsters with whom, she comes to understand, she shares a surprising kinship. As she discovers her links with those inside the castle and outside it, her sense of danger grows. Trussoni plays here with the contemporary obsession with using DNA to uncover the past and employs some far-fetched scientific theories to explain the nature and existence of the humanoids that Bert gradually realizes are somehow connected to the complicated bloodline of the mysterious Montebiancos. Few, however, are likely to read the novel for its insights into genetics and biology. At its heart, this is an opulently romantic horror tale, with a plucky, if not always sensible, heroine who discovers she is part of a family whose dark secrets have been sheltered from the world at large.

Passion trumps reason in this gothic extravaganza.

Pub Date: April 7, 2020

ISBN: 978-0-06-291275-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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