WEST HEART KILL

A metafiction that combines a murder mystery set at a storied upstate New York hunting club in the 1970s and lessons on the mystery genre; the author, MSNBC news producer McDorman, is making his fiction debut.

Young private detective Adam McAnnis, a Vietnam veteran through whose "sad and wary" but amused eyes the story is told, has been hired by one of the guests at the club's annual Fourth of July gathering to investigate a possible plot against that guest. Until a female guest is found dead in the lake, an apparent suicide, there's no indication of anything untoward going on, except for some pot smoking and the adulterous couplings in two designated rooms in the clubhouse (in one of which McAnnis is happy to "interrogate" a straying wife). But murder is very much afoot, and as we are lectured in long, informed commentaries by the "author" of the mystery, "[a]ren’t the suspense and anticipation the real secret thrill of the book?" There are examinations of plot and method and the first-person narrative technique ("a point of view you have viewed with suspicion ever since your first innocent reading of Agatha Christie’s The Murder of Roger Ackroyd"), as well as references to Shakespeare and Sophocles, Dashiell Hammett and Patricia Highsmith, "locked room" specialist John Dickson Carr and Thomas De Quincey’s essay “On Murder Considered as One of the Fine Arts.” While such material is interesting enough, it fails to resonate with this murder mystery, which concludes with the reader joining the cast of characters.

An entertaining novel, but a tad too clever for its own good.