Despite lovely art, a stereotypically generic and romanticized portrayal of indigenous people.
The Arctic winter is white and gray until something special happens.
“When you live in the Arctic in winter,” opens the second-person narration, “everything is a shade of white.” “You” are a young girl, longing for color. White hues are described—blue-white tundra, the yellow-white of the polar bear, the silver-white of the arctic fox—and outsize, delicate snowflakes drift down. One night, “you hear a hum in the air,” and grandfather takes you walking on the tundra to see the northern lights, lush color swaths across the sky. Illustrator White uses watercolor on textured paper to give the snow’s surface a gentle nubbiness and depth. Ink delicately outlines human and animal figures. However, setting and culture are unclear. A modern paint box, a bound book, and a flashlight, together with the second-person, present-tense address (placing readers inside the story), imply a contemporary setting, but this girl lives a nonindustrialized life in an iglu, even though most contemporary indigenous Arctic people live in houses. The lack of any specific indigenous nation and some faux Native philosophy—“Grandfather says hope is golden. You can only see it when you look into a snowy owl’s eyes”—add to the romanticized Native image. Jan Bourdeau Waboose’s SkySisters (2000), an Ojibwe story about walking across tundra to see the northern lights, is a better choice.
Despite lovely art, a stereotypically generic and romanticized portrayal of indigenous people. (Picture book. 3-7)Pub Date: Jan. 5, 2016
ISBN: 978-1-62779-104-5
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Sept. 20, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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