by Danny Parker ; illustrated by Freya Blackwood ‧ RELEASE DATE: Sept. 5, 2017
Lively and lovely.
A friendship is formed, nearly lost, and re-established on a long train journey.
When blonde Molly and brunette Mae, both white, meet on the platform of a railroad station, they immediately connect. They play hide-and-seek, blow bubbles, and dance. When they board the train, they continue to play, sometimes getting rambunctious and annoying other passengers. All that closeness inevitably leads to conflict, and they turn away from each other as the train zooms through the timeless, vast, rural countryside. They cautiously restart the friendly atmosphere and enjoy the remainder of the trip together. Through all the action the girls’ moms (also both white) are vague and passive, barely visible. Energetic language in the form of clipped, action-filled sentences announce the children’s activities, and Parker further enhances the simple tale with lovely descriptions of the sights outside the train’s windows. The inventive format uses railway-signage iconography to situate readers as the book progresses, beginning on the platform of their starting point. There's a timetable of the girls’ games until boarding, and their argument is denoted as a signal failure. The illustrations employ windows and bridges—literal and figurative—as visual metaphors, keeping a comfortable rhythm until the girls reach their unnamed city destination. Blackwood’s softly hued illustrations, outlined in feathery, light-brown lines, fully illuminate the events with details only suggested in the text. Molly and Mae display every emotion with subtle changes of expression and body language.
Lively and lovely. (Picture book. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-328-71543-2
Page Count: 32
Publisher: HMH Books
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Danny Parker ; illustrated by Matt Ottley
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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