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SYMPTOMATIC

Credible characterization is the biggest casualty of this slight, depressing, issue-driven second novel. Senna covered this...

Adrift in New York, a young woman falls into the clutches of a predatory coworker.

It all seemed so promising. Our nameless narrator arrives in the city from California to start her first job with a general-interest magazine. She has a newly minted degree and a prestigious journalism fellowship. Soon enough she meets a sweetly sad young guy on the subway and moves in with him. All goes well until Andrew takes her to meet his friends, WASPy Andover grads like himself. They make crass, racist remarks, and Andrew’s girl retreats to the bathroom. She has a secret, you see: she’s biracial, though she can pass for white when she chooses. Disenchanted with Andrew (how come they’d never discussed her family?), she moves to a Brooklyn sublet; it has bad vibes, but the rent and space are right. She was referred by coworker Greta Hicks, a badly dressed older woman in a low-level job so pathetically eager for attention you’d think a smart cookie like our narrator would avoid her like the plague. But the author needs to hook them up because Greta, also of mixed race, is the vehicle she uses to give the issue a complete workout. Once the journalist has accepted Greta’s overtures, there’s no escaping her; only when Greta disparages the young woman’s parents does she realize how “bilious” her putative friend can be. Greta’s behavior becomes truly bizarre once the narrator starts dating a black artist. She spies on them from behind parked cars, then falls apart on the job and has to be removed from the building by security guards as she screams curses. The text closes with a melodramatic flourish on the roof of that Brooklyn apartment building.

Credible characterization is the biggest casualty of this slight, depressing, issue-driven second novel. Senna covered this ground much more convincingly in her award-winning debut (Caucasia, 1998).

Pub Date: May 10, 2004

ISBN: 1-57322-275-5

Page Count: 208

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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