by Daphne Benedis-Grab ‧ RELEASE DATE: Sept. 30, 2014
A light holiday read with little mystery or development but a lot of happy endings.
This quick tale of generosity is as warm and simple as a Christmas postcard.
As the calendar counts down to Christmas in the idyllic little town of Pine River, four children hang their wishes on the Angel Tree, a tradition in which an anonymous benefactor and the close-knit residents pool their resources to help one another. The kids are sugar-cookie cutouts: Lucy, a timid blind girl whose family can’t afford her guide dog’s cancer treatment; class clown Max, who lost his house in a fire; Joe, “the most hated kid in Pine River,” whose only parent—a Marine—can’t be home for Christmas; and Cami, a violinist who can’t seem to make her grandmother proud. When the kids’ wishes are granted, Cami decides that they should work together to find “GB”—the “Great Benefactor” who started the tradition—to say thanks. Questioning kindly adults, the kids learn confidence and tolerance as they discover the story behind the tree. Mentions of cellphones and Harry Potter DVDs feel almost anachronistic against Pine River’s folksy charm. The kids seem younger than they are, and their dialogue often sounds unrealistic, but their innocence might appeal to readers who want a winter break from typical middle school drama.
A light holiday read with little mystery or development but a lot of happy endings. (Fiction. 8-11)Pub Date: Sept. 30, 2014
ISBN: 978-0-545-61378-1
Page Count: 256
Publisher: Scholastic
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 15, 2014
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Rebecca Bond ; illustrated by Rebecca Bond
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by Rebecca Bond ; illustrated by Rebecca Bond
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
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by Chad Morris & Shelly Brown
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