by Daphne Merkin ‧ RELEASE DATE: Feb. 2, 2017
It’s hard to find much solace within the relentless gloom—however insightfully explored—of one writer’s depression.
A writer reflects on her unceasing struggle with clinical depression.
Although Merkin (The Fame Lunches: On Wounded Icons, Money, Sex, the Brontës, and the Importance of Handbags, 2014, etc.) is an undeniably talented writer, this memoir of her depression is as tough to read as it must have been to write. This is “the book about depression that I had been contacted to write by three successive publishing houses over the course of more than a decade,” and the author admits that “my daughter has been dealing with the reality of my depression for so much of her life that I’m convinced it half bores her.” Many readers will feel the same way, no matter how much they empathize with a writer who confesses, “most of all I am tired of myself and my battles.” In the first sentence, Merkin introduces “the allure of suicide,” an option that never goes away. She believes in the benefits of decades of therapy and medication, without which it’s doubtful she would have been able to write this book. The author writes that the “root cause” of her depression is “the nature of the family itself, as rotten at its core as Hamlet’s Denmark,” and she builds a convincing case, particularly in regard to her cold, neglectful parents—though she finds it impossible to extricate herself from the mother who has ruined her. Hospital stays (the last was eight years ago) have provided respite and occasionally companionship, but circumstances have been rarely much better upon her exit. Merkin has deeply ambivalent feelings about electroshock treatment, resisting a doctor’s suggestion of how much she would benefit and then regretting her refusal. Those who have read her incisive and well-crafted pieces as a staff writer for the New Yorker and a frequent contributor to the New York Times and Elle will wonder how she managed to get any work done when she was feeling so bad.
It’s hard to find much solace within the relentless gloom—however insightfully explored—of one writer’s depression.Pub Date: Feb. 2, 2017
ISBN: 978-0-374-14036-6
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 19, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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