Singing as one, Andreades’ brown girls create and capture the voice of a generation.
A masterfully executed ode to brown girls on their journeys of becoming.
Andreades’ debut novel is a unique coming-of-age story screamed, sung, howled, hummed by “we,” a first-person plural narrator representing a group of friends from Queens, New York, on the cusp of womanhood. Writing in vignettes, with language that is as punchy as it is lyrical and impassioned, Andreades explores intersectional issues of womanhood, race, and class. Her chorus asks what it means to embody both the colonized and the colonizer: as American children of immigrant parents who speak English better than their mother tongue. As students at Columbia University who worry about undocumented family back in Queens. As people who realize that home will always mean two places at once. Andreades skillfully navigates multiple literary and political challenges. The novel successfully argues for a specifically American identity politics that eschews nationality or geographic region for a common experience of marginalization. The brown girls have roots in such diverse places as Ghana, India, and Mexico yet can believably speak as one chorus. To pull off a novel with basically no individual characters or character development that conveys an intimate story of becoming—a bildungsroman—is no easy feat. This book is (unbelievably!) a page-turner; Andreades accomplishes this with the energy and joyful beauty of her prose, which keeps the book moving at a reckless pace. Andreades’ brown girls speak with one voice without being reductionist. She pays homage to the brown girls who have left Queens and those who have stayed, straight and gay, teen murder victim and thriving career woman, parent and intentionally childless: The list goes on and on.
Singing as one, Andreades’ brown girls create and capture the voice of a generation.Pub Date: Jan. 4, 2022
ISBN: 978-0-593-24342-8
Page Count: 224
Publisher: Random House
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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