by Dapo Adeola ‧ RELEASE DATE: Feb. 1, 2022
Heartfelt, hopeful, and honest.
A sincere ode to Black childhood.
Nineteen Black artists—including author Adeola—from the United Kingdom, Nigeria, the Bahamas, and the United States, among other countries, collaborated to create the exuberant and varied illustrations that accompany this celebration of growing up Black. The focus is on Black children, though several White children appear on a few pages as classmates or spectators. The book was written in response to the global protests following the murder of George Floyd. Adeola was motivated by the question, “What might have been different had I felt more confident and assured in my skin at a younger age—if I’d seen my story told?” His uplifting text is bookended by images of beautiful Black babies. In between, he imparts life lessons, urging Black children to “be curious” and “keep searching” while assuring them that “happiness, love and laughter will find you on your journey.” An illustration by Chanté Timothy shows a Black girl imagining herself as an astronaut, a soccer player, a singer, a veterinarian, a doctor, a judge, and a chemist. Bex Glendining’s purple sunlight–infused picture of teens in a school corridor accompanies the message, “Express your culture and heritage—even if it makes some people uncomfortable....” Backmatter includes brief bios of the artists, each identified by a portion of their illustration, and of the 13 men and women in Onyinye Iwu’s depiction of seven Black children quite literally standing on the shoulders of Black trailblazers. (This book was reviewed digitally.)
Heartfelt, hopeful, and honest. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-0-593-52942-3
Page Count: 48
Publisher: Nancy Paulsen Books
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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