Baleful dispatches from the spirit world. They’re watching, they’re powerful, and they’re not happy.
Australian horrormeister Coates revives and revises the title novella, her very first ghostly tale, adding another long story and seven shorter shivers.
Beware of Polaroid cameras you find while circling more and more widely around your buddy’s wedding reception. Jenine imprudently starts snapping pictures of the wedding party and soon notices spectral presences in the background. Her best friend, Breanna, who owns a flower shop, encourages her to get in touch with respected ghost researcher Richard Holt, whose advice is terse: crush and burn that camera posthaste. By this time, Jenine has already snapped more pictures that reveal more ghosts; in a follow-up consultation with Holt, she learns that he had tried to help two other people who found ghost cameras that snapped photos breaching the boundary between the living and the dead, exposing them to deadly peril, which makes Jenine and Bree fear that it’s too late for them, too. In the other long story, “A Box of Tapes,” concerned mother Tess finds a sealed box of VHS tapes inexplicably nestled in the closet of her 4-year-old daughter, Kayla. “DON’T WATCH. YOU’LL REGRET IT,” advises an attached note, but Tess, like Jenine, ignores this advice, and the consequences are equally dire. The briefer stories are more invested in laying out a menacing premise than in developing a sustained plot from it. The most notable of them are “Untamed Things,” in which the only two survivors of an airline crash lean into each other in the hope of attracting possible rescuers, and “Cathedral,” which moves directly from a leisurely opening to a whiplash punchline.
Baleful dispatches from the spirit world. They’re watching, they’re powerful, and they’re not happy.Pub Date: July 30, 2024
ISBN: 9781728278964
Page Count: 352
Publisher: Poisoned Pen
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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